Procession for organ and saxophone was written for my wedding to Minkyoo Shin. The piece grew out of a remarkable gesture of generosity. While collaborating on another project, the legendary saxophonist Fred Hemke and the distinguished organist Douglass Cleveland graciously offered to play for our ceremony. Knowing that these extraordinary musicians would be part of such an intimate moment shaped the music from its very beginning.
The work unfolds in two distinct yet connected spans. For the first three quarters of the piece, the organ stands alone. This music accompanies the procession of the wedding party, unfolding with measured dignity and quiet expectancy. Rather than grandiosity, the writing seeks a sense of inward calm, allowing the space and the moment to breathe.
The entrance of the saxophone marks a transformation. Emerging as a single, plaintive voice, it announces the arrival of the bride. The intention was not to clothe that moment in spectacle, but to frame it with serenity and beauty. The saxophone sings simply, its lyrical line carrying both tenderness and awe.
After several measures, the organ joins the saxophone almost imperceptibly. What began as two separate presences becomes a shared expression. The work closes in quiet unity, a musical reflection of two lives joining with grace and stillness.




